{"id":1694,"date":"2025-12-25T17:23:23","date_gmt":"2025-12-25T09:23:23","guid":{"rendered":"https:\/\/lei-dance-theater.com\/en\/?post_type=avada_portfolio&#038;p=1694"},"modified":"2026-01-04T18:34:25","modified_gmt":"2026-01-04T10:34:25","slug":"production-no-13proximities","status":"publish","type":"avada_portfolio","link":"https:\/\/lei-dance-theater.com\/en\/portfolio-items\/production-no-13proximities\/","title":{"rendered":"Production No.13<br\/>Proximities"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-heading\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Title<\/h4><\/div><div class=\"fusion-text fusion-text-1\"><p style=\"margin: 0;\"><span style=\"font-size: 16px;\">Proximities<\/span><br \/>\n<span style=\"font-size: 13px; color: #6b7280;\">Lei Dance Theater \u00b7 Production No.13<\/span><\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><div class=\"fusion-separator-border sep-single sep-dashed\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color3);border-top-width:1px;\"><\/div><\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-calendar\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Premiere Year<\/h4><\/div><div class=\"fusion-text fusion-text-2\"><p>2024<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><div class=\"fusion-separator-border sep-single sep-dashed\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color3);border-top-width:1px;\"><\/div><\/div><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-clock\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Length<\/h4><\/div><div class=\"fusion-text fusion-text-3\"><p>65 minutes<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><div class=\"fusion-separator-border sep-single sep-dashed\" style=\"--awb-height:20px;--awb-amount:20px;border-color:var(--awb-color3);border-top-width:1px;\"><\/div><\/div><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-map-marker\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Performance History<\/h4><\/div><div class=\"fusion-text fusion-text-4\"><p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Apr. 20, 2024<br \/>\n<\/span><br \/>\nBangka International Dance Festival (Invitation)<br \/>\nSugar Refinery Cultural Park, Warehouse A, Taipei<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Apr. 20, 2024<br \/>\n<\/span><br \/>\nBangka International Dance Festival (Invitation)<br \/>\nXiao Black Box, Longshan Cultural &amp; Creative Base, Taipei<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Sept. 2024<br \/>\n<\/span><br \/>\nInternational Presentation<br \/>\nSingapore<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Nov. 2024<br \/>\n<\/span><br \/>\nTaiwan Dance Platform (Invitation)<br \/>\nNational Kaohsiung Center for the Arts (Weiwuying)<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Dec. 2024<br \/>\n<\/span><br \/>\nInternational Presentation<br \/>\nLaos<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">May 31 \u2013 Jun. 1, 2025<br \/>\n<\/span><br \/>\nExperimental Theater<br \/>\nNational Theater &amp; Concert Hall, Taipei<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Jun. 13 \u2013 15, 2025<br \/>\n<\/span><br \/>\nSmall Theater<br \/>\nNational Taichung Theater<\/p>\n<p style=\"margin: 0 0 16px;\"><span style=\"background: #1aa57a; color: #fff; padding: 2px 8px; border-radius: 3px; font-weight: 600; font-size: 0.9em; display: inline-block; margin-bottom: 6px;\">Jun. 20 \u2013 22, 2025<br \/>\n<\/span><br \/>\nExperimental Theater<br \/>\nHsinchu County Cultural Affairs Bureau<\/p>\n<p style=\"font-size: 0.9em; color: #666; margin-top: 8px;\">*Performances from June 14 to June 22 are part of the 2025 TSMC Arts Festival.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-briefcase\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Description<\/h4><\/div><div class=\"fusion-text fusion-text-5 fusion-text-no-margin\" style=\"--awb-margin-top:4%;--awb-margin-right:auto;--awb-margin-bottom:4%;--awb-margin-left:auto;\"><div style=\"background: #F5F7FA; border-left: 5px solid #18A874; padding: 14px 16px; border-radius: 6px; line-height: 1.8; margin-bottom: 14px;\"><em>\u201cHow close are we to others?\u201d<br \/>\n\u201cHow close are we to our own nature?\u201d<br \/>\n\u201cTo what extent can distance\u2026 be a strength\u2026?\u201d<br \/>\n\u201cIn moments when life keeps us apart\u2026?\u201d<\/em><\/div>\n<p style=\"margin: 0px; line-height: 1.85; text-align: justify;\">Choreographer Ol\u00e9 Khamchanla has been deeply affected by the sense of distance and forced separation brought by pandemic. The core of this work expands from this experience and focus on a universally shared concern, exploring the many dimensions of human relationships\u2014including \u201cthe self,\u201d \u201cthe other,\u201d and \u201cthe group.\u201d Through the subtle interactions within these relationships, he uncovers and challenges the various forms of intimacy that emerge in contemporary dance, shaped by diverse cultures, personal identities, and interpersonal dynamics.<\/p>\n<\/div><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:350px;--awb-align-self:center;--awb-width:100%;--awb-margin-bottom:4%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:58.33%;\" ><iframe title=\"YouTube video player 1\" src=\"https:\/\/www.youtube.com\/embed\/8xOusmxGQIk?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture;\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:350px;--awb-align-self:center;--awb-width:100%;--awb-margin-bottom:4%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:58.33%;\" ><iframe title=\"YouTube video player 2\" src=\"https:\/\/www.youtube.com\/embed\/VOnzv_nXI2k?wmode=transparent&autoplay=0\" width=\"600\" height=\"350\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture;\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-comment\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0Reviews &amp; Press<\/h4><\/div><div class=\"fusion-text fusion-text-6\"><div style=\"margin-top: 20px; padding: 26px 0 36px 0; border-bottom: 1px solid #E5E7EB;\">\n<div style=\"background: #F5F7FA; border-left: 5px solid #18A874; padding: 16px 18px; border-radius: 6px; line-height: 1.8;\"><em>\u201cBy allowing multiple dance techniques to coexist and flow within a single body,<br \/>\nOl\u00e9 forges a transboundary physical dialogue in <span style=\"font-style: italic;\">Proximities<\/span>.\u201d<br \/>\n<\/em><\/div>\n<p style=\"margin: 14px 0 8px 0; padding-left: 40px;\">\u2014 Hung-Wen Lu, <span style=\"color: #374151;\">Taiwan Dance Platform<\/span> (2024)<\/p>\n<p style=\"margin: 0 0 16px 0; padding-left: 40px;\"><a style=\"color: #4a5d73; text-decoration: none; font-weight: 600;\" href=\"https:\/\/www.npac-weiwuying.org\/blogs\/67872ac761d7480007ee0841\" target=\"_blank\" rel=\"noopener\"><br \/>\nRead the full article \u2192<br \/>\n<\/a><\/p>\n<div style=\"margin-left: 40px; padding: 16px 18px; background: #FBFBFC; border: 1px solid #EEF2F7; border-radius: 8px; max-width: 760px;\">\n<div style=\"font-weight: bold; margin-bottom: 6px;\">LDT\u2019s Insight<\/div>\n<div style=\"color: #374151; font-size: 15px; line-height: 1.75; text-align: justify;\">Ol\u00e9\u2019s creative methodology echoes the underlying textures of Lei Dance Theater\u2019s artistic vision,revealing multiple planes of resonance between the two. From the trajectory of an individual\u2019s movement, one glimpses the history of embodied training and lineage. The work navigates a cyclical negotiation between the collective and the personal\u2014moving from community to self, and from self back toward the collective\u2014probing how bodies draw near, drif apart, and return again.<\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-text fusion-text-7\"><p><!-- ===== Review Block: Yi-Hsuan Chen ===== --><\/p>\n<div style=\"margin-top: 20px; padding: 26px 0 36px 0; border-bottom: 1px solid #E5E7EB;\">\n<div style=\"background: #F5F7FA; border-left: 5px solid #18A874; padding: 16px 18px; border-radius: 6px; line-height: 1.8;\"><em>\u201cWe can clearly discern the cultural signifiers carried within each dancer\u2019s body\u2026<br \/>\nThese cultural fragments do not coexist harmoniously in the work; rather, they interrogate one another.\u201d<br \/>\n<\/em><\/div>\n<p style=\"margin: 14px 0 8px 0; padding-left: 40px;\">\u2014 Yi-Hsuan Chen, <span style=\"color: #374151;\">Taiwan Performing Arts Review Platform<\/span> (2025)<\/p>\n<p style=\"margin: 0 0 16px 0; padding-left: 40px;\"><a style=\"color: #4a5d73; text-decoration: none; font-weight: 600;\" href=\"https:\/\/pareviews.ncafroc.org.tw\/comments\/15045cda-5142-41cf-a9b1-52f220d06330\" target=\"_blank\" rel=\"noopener\"><br \/>\nRead the full article \u2192<br \/>\n<\/a><\/p>\n<div style=\"margin-left: 40px; padding: 16px 18px; background: #FBFBFC; border: 1px solid #EEF2F7; border-radius: 8px; max-width: 760px;\">\n<div style=\"font-weight: bold; margin-bottom: 6px;\">LDT\u2019s Insight<\/div>\n<div style=\"color: #374151; font-size: 15px; line-height: 1.75; text-align: justify;\">This incisive review highlights the work\u2019s refusal to simply blend cultures.<br \/>\nBy allowing distinct cultural fragments\u2014from Southeast Asian lineages to Western classical forms\u2014to actively challenge one another on stage, <em>Proximities<\/em> embodies the dynamic tension of trans-cultural identity. This interrogation lies at the core of our co-creation and gives the piece its compelling contemporary energy.<\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-text fusion-text-8\"><p><!-- ===== Review Block: Pu-Chun Lin ===== --><\/p>\n<div style=\"margin-top: 20px; padding: 26px 0 36px 0; border-bottom: 1px solid #E5E7EB;\">\n<div style=\"background: #F5F7FA; border-left: 5px solid #18A874; padding: 16px 18px; border-radius: 6px; line-height: 1.8;\"><em>\u201cThe concept of \u2018distance\u2019 is perhaps an eternal proposition for Ol\u00e9, continually entwining his life and creation\u2026 ultimately blurring conventional notions of borders and opening toward a more expansive worldview.\u201d<br \/>\n<\/em><\/div>\n<p style=\"margin: 14px 0 8px 0; padding-left: 40px;\">\u2014 Pu-Chun Lin, <span style=\"color: #374151;\">Cacao Magazine<\/span><\/p>\n<p style=\"margin: 0 0 16px 0; padding-left: 40px;\"><a style=\"color: #4a5d73; text-decoration: none; font-weight: 600;\" href=\"https:\/\/cacaomag.co\/ole-khamchanla\/\" target=\"_blank\" rel=\"noopener\"><br \/>\nRead the full article \u2192<br \/>\n<\/a><\/p>\n<div style=\"margin-left: 40px; padding: 16px 18px; background: #FBFBFC; border: 1px solid #EEF2F7; border-radius: 8px; max-width: 760px;\">\n<div style=\"font-weight: bold; margin-bottom: 6px;\">LDT\u2019s Insight<\/div>\n<div style=\"color: #374151; font-size: 15px; line-height: 1.75; text-align: justify;\">This review captures the philosophical core of our collaboration. Ol\u00e9\u2019s mastery in navigating cultural distance resonates with Lei Dance Theater\u2019s commitment to cross-cultural creation, using the body as a site where boundaries dissolve and reform. The work marks the beginning of our <em>Metamorphosis Trilogy<\/em>, directly engaging with themes of separation and transformation in contemporary human experience.<\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-text fusion-text-9\"><p><!-- ===== Review Block: Chen-Chou Chang ===== --><\/p>\n<div style=\"margin-top: 20px; padding: 26px 0 36px 0; border-bottom: 1px solid #E5E7EB;\">\n<div style=\"background: #F5F7FA; border-left: 5px solid #18A874; padding: 16px 18px; border-radius: 6px; line-height: 1.8;\"><em>\u201cThe work fuses traditional and contemporary vocabularies from Southeast Asia and the West,interpreted by Taiwanese dancers to articulate the relationship between intimacy and alienation.\u201d<br \/>\n<\/em><\/div>\n<p style=\"margin: 14px 0 8px 0; padding-left: 40px;\">\u2014 Chen-Chou Chang, <span style=\"color: #374151;\">Par Performing Arts Review<\/span><\/p>\n<p style=\"margin: 0 0 16px 0; padding-left: 40px;\"><a style=\"color: #4a5d73; text-decoration: none; font-weight: 600;\" href=\"https:\/\/par.npac-ntch.org\/tw\/article\/doc\/H7TPGOZ7K0\" target=\"_blank\" rel=\"noopener\"><br \/>\nRead the full article \u2192<br \/>\n<\/a><\/p>\n<div style=\"margin-left: 40px; padding: 16px 18px; background: #FBFBFC; border: 1px solid #EEF2F7; border-radius: 8px; max-width: 760px;\">\n<div style=\"font-weight: bold; margin-bottom: 6px;\">LDT\u2019s Insight<\/div>\n<div style=\"color: #374151; font-size: 15px; line-height: 1.75; text-align: justify;\">This review confirms the work\u2019s dual success. Its selection for the highly competitive <strong>2025 TSMC Arts Festival<\/strong> and invitation to the <strong>Weiwuying Taiwan Dance Platform<\/strong> affirm both its artistic rigor and its strong resonance with local audiences\u2014establishing a solid foundation for international presentation.<\/div>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-text fusion-title-size-four\"><h4 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><i class=\"fa fa-users\"><\/i>\u00a0\u00a0\u00a0\u00a0\u00a0International Co-production Creative Team<\/h4><\/div><div class=\"fusion-text fusion-text-10\"><p><span style=\"font-size: 16px;\"><strong>Taiwan Production Team<\/strong><br \/>\n<\/span><span style=\"color: #374151; font-size: 16px;\">Lei Dance Theater<\/span><\/p>\n<p><strong>France Production Team<\/strong><br \/>\nKHAM Compnay<\/p>\n<div style=\"max-width: 760px; line-height: 1.8;\">\n<div style=\"margin-top: 22px; padding-top: 18px; border-top: 1px solid #EEF2F7;\">\n<div style=\"margin-top: 10px;\"><strong>Choreographer<\/strong><br \/>\nOle Khamchanla<\/div>\n<div style=\"margin-top: 14px;\"><strong>Producers<\/strong><br \/>\nAlison Wang<br \/>\nEmma Engelmand<\/div>\n<div style=\"margin-top: 14px;\"><strong>Artistic &amp; Strategic Consultant<\/strong><br \/>\nShu-Yi Chou<\/div>\n<div style=\"margin-top: 14px;\"><strong>Dancers<\/strong><br \/>\nAi-Hsuan Chou<br \/>\nJyun-Yi Lin<br \/>\nChen Hsu<br \/>\nPei-Chun Shih<br \/>\nWen-Ting Chang<\/div>\n<div style=\"margin-top: 14px;\"><strong>Music Design<\/strong><br \/>\nMathieu Vallet<\/div>\n<div style=\"margin-top: 14px;\"><strong>Lighting Design<\/strong><br \/>\nMichel Vendittelli<br \/>\nYun-Hsiang Guan<\/div>\n<div style=\"margin-top: 14px;\"><strong>Costume Design<\/strong><br \/>\nLychEE<br \/>\nChi-Fan Huang<\/div>\n<div style=\"margin-top: 14px;\"><strong>Visual Design<\/strong><br \/>\nLinda Cheng<\/div>\n<div style=\"margin-top: 14px;\"><strong>Production Executive<\/strong><br \/>\nZoe Lin<\/div>\n<div style=\"margin-top: 14px;\"><strong>Stage Manager<\/strong><br \/>\nPei-Yu Tseng<\/div>\n<div style=\"margin-top: 14px;\"><strong>Master Electrician<\/strong><br \/>\nStephanie Lo<\/div>\n<div style=\"margin-top: 14px;\"><strong>Marketing Team<\/strong><br \/>\nTuoTuo Creative<\/div>\n<div style=\"margin-top: 14px;\"><strong>Photographers<\/strong><br \/>\nChang-Chih Chen<br \/>\nLarry Huang<\/div>\n<div style=\"margin-top: 14px;\"><strong>Video Director<\/strong><br \/>\nMaurice Lai<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1695,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1694","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/comments?post=1694"}],"version-history":[{"count":25,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1694\/revisions"}],"predecessor-version":[{"id":1826,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1694\/revisions\/1826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/media\/1695"}],"wp:attachment":[{"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/media?parent=1694"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1694"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1694"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/lei-dance-theater.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}